You may not know that, in addition to being the semi-retired dictator of the Cuban workers' paradise, Fidel Castro is also a newspaper columnist! He writes regularly for Granma, the totalitarian state's major print news organ. Recent topics include "media terrorism" and the fact that he, Fidel, has outlasted 10 American presidents. In his February 9 column (drawn to my attention by this fun New Yorker piece which in turn comes to me from An), Fidel offers some cogent reflections on Rahm Emanuel, Barack Obama's White House Chief of Staff. His writing here has an addled stream-of-consciousness flavor to it - James Joyce with head trauma and a 50-year-old axe to grind. You could read the whole thing here if you'd like, but I've summarized it below, so that one might more easily appreciate the fine structure of El Comandante's thoughts. Each bullet point represents the thesis of one paragraph, in order, from Fidel's column.
Rahm Emanuel
by Fidel Castro
-Rahm Emanuel has a funny name!
-Immanuel Kant was a German philosopher, but he spelled his name with an 'I'.
-The Cuban ambassador to Venezuela wrote a book called The Transparency of Enmanuel.
-That Enmanuel is the son of Clara Rojas Gonzalez, who unsuccessfully ran for president of Colombia before being kidnapped by the FARC.
-He was born in the jungle during Rojas Gonzelez's captivity.
-She stayed there out of solidarity with Ingrid Betancourt for six years.
-I also spent time in prison after trying to seize control of a fortress in 1953.
-After the revolution, I sometimes thought about Kant.
-I took over Cuba before Obama and Rahm Emanuel were even born!
-Rahm Emanuel served in the Israeli military during the first Gulf War.
-America sells lots of weapons to countries in the Middle East.
-American racists would like to assassinate Barack Obama.
-Obama and Rahm Emanuel cannot fix the US economy.
-Even Kant, Plato, Aristotle and John Kenneth Galbraith could not fix the American economy. But maybe Abraham Lincoln could.
-Capitalism is bad.
The End
Showing posts with label media. Show all posts
Showing posts with label media. Show all posts
Monday, February 23, 2009
Wednesday, January 28, 2009
ofessionalpray ournalismjay
A light article in the NYT includes an unexpected word.
Goodness - the Grey Lady is using pig latin! Perhaps it helps capture the tone of the story, the ebbing of rigid expectations amidst economic spiral. But, still, definitely a surprise.
THE earth held firm in its orbit. The continents did not founder. Martial law was not imposed. This, despite the fact that the “21” Club has loosened its tie for the first time since it opened at 21 West 52d Street 79 years ago.
...
Actually, “21” instituted the policy “after Labor Day, a soft opening if you will,” said Bryan McGuire, the manager for the last, yes, 21 years. “We wanted to be on a more level playing field with our competitors,” he said, adding, “We didn’t think it was that big a deal.” Especially since, during lunch, the tie policy was ixnayed in 1996, he said.
Goodness - the Grey Lady is using pig latin! Perhaps it helps capture the tone of the story, the ebbing of rigid expectations amidst economic spiral. But, still, definitely a surprise.
Monday, January 19, 2009
nonsense sells?
I try to apply interpretive charity to just about everything, but I'm having a hard time with this ad: (hat tip - angry asian man)
Here's what seems to be happening: In each of the mirror panes, there is a different 'version' of the white customer - a black man (on the left), a Latino man (in the center) and an asian - evidently Filipino - man (on the right). Each of the reflections match up with the customer, except the last, who is inexplicably holding a bag of Skittles. This prompts a query from the customer and a shout (in Thai) from the tailor, provoking a bizarre exchange with the Tagalog-speaking reflection. Eventually the Filipino version of the customer kicks the mirror, shattering himself, and the tailor finds this funny.
So far as I can tell, that is what happens. But what on earth is going on? What is the ad's metaphysical conceit? Is the mirror a gateway to a series of alternate universes, each featuring a racial counterpart to the reflected subject? Why is the tailor's race consistent in each universe? (And why is he Thai?) Or is this is a weird sci-fi thing; are the reflections employees of the tailor, mimicking the customer before closed circuit cameras projecting to a series of screens? Does that explain why the tailor appears to be berating the Skittles-eater?
I doubt there is any correct answer to those questions, and I suspect this is part of the ad's strategy. The commercial is so strange that many viewers will attempt to puzzle out what they have just seen - to engage in interpretation - and will probably seize upon the plot-turning Skittles bag. (Notice that the only line of English dialogue explicitly references the product.) Which makes for a very natural question: what does Skittles have to do with what is going on here? The answer - a conceptual connection between the multiracial theme and Skittles' "Taste the Rainbow" tag line - isn't particularly satisfying (it certainly doesn't explain anything about the plot). But it does require the viewer to think about Skittles.
the absurd and the advert
Dave Munger at Cognitive Daily recently discussed a study regarding the relation between humor and memorability in advertisement. Viewers often remember funny ads, but do they remember the products advertised? The study's upshot seems to be that humorous commercials do work best when the product is directly relevant to the joke, but only if the brand is not previously associated with levity, and only if the audience is not high in "need for humor". Munger poses an interesting challenge:
Does the Skittles ad avoid such pitfalls? The commercial is not merely funny; it is bizarre. In order to (probably unsuccessfully) attempt comprehension of the message, a viewer must actively engage with the product. Presumably that hikes memorability, and it might also counteract any prior expectations of humor associated with the brand. Nowadays, it's hard to know what to expect from a Skittles commercial.
The Skittles ads come from TBWA/Chiat/Day, an agency known for its offbeat work (including the famous 1984 Apple ad and the contemporary and increasingly irritating 'Get a Mac' campaign). Seth Stevenson at Slate's Ad Report Card doesn't think highly of the Skittles ads (part of a sometimes creepy series), on the grounds that these days, "freaky-ass ads are a dime a dozen". But maybe that's because this thing works - people remember ads that just don't make sense, and they remember trying to figure out what the product has to do with the insanity.
Here's what seems to be happening: In each of the mirror panes, there is a different 'version' of the white customer - a black man (on the left), a Latino man (in the center) and an asian - evidently Filipino - man (on the right). Each of the reflections match up with the customer, except the last, who is inexplicably holding a bag of Skittles. This prompts a query from the customer and a shout (in Thai) from the tailor, provoking a bizarre exchange with the Tagalog-speaking reflection. Eventually the Filipino version of the customer kicks the mirror, shattering himself, and the tailor finds this funny.
So far as I can tell, that is what happens. But what on earth is going on? What is the ad's metaphysical conceit? Is the mirror a gateway to a series of alternate universes, each featuring a racial counterpart to the reflected subject? Why is the tailor's race consistent in each universe? (And why is he Thai?) Or is this is a weird sci-fi thing; are the reflections employees of the tailor, mimicking the customer before closed circuit cameras projecting to a series of screens? Does that explain why the tailor appears to be berating the Skittles-eater?
I doubt there is any correct answer to those questions, and I suspect this is part of the ad's strategy. The commercial is so strange that many viewers will attempt to puzzle out what they have just seen - to engage in interpretation - and will probably seize upon the plot-turning Skittles bag. (Notice that the only line of English dialogue explicitly references the product.) Which makes for a very natural question: what does Skittles have to do with what is going on here? The answer - a conceptual connection between the multiracial theme and Skittles' "Taste the Rainbow" tag line - isn't particularly satisfying (it certainly doesn't explain anything about the plot). But it does require the viewer to think about Skittles.
the absurd and the advert
Dave Munger at Cognitive Daily recently discussed a study regarding the relation between humor and memorability in advertisement. Viewers often remember funny ads, but do they remember the products advertised? The study's upshot seems to be that humorous commercials do work best when the product is directly relevant to the joke, but only if the brand is not previously associated with levity, and only if the audience is not high in "need for humor". Munger poses an interesting challenge:
Of course, this opens a paradox for advertisers. Clearly humor works best when it's unexpected and related to the product. But if an brand develops a reputation for producing humorous ads, whether it's Bud Light or Mutual of Omaha, won't viewers eventually begin to expect humor regardless of how serious the company's line of business?
Does the Skittles ad avoid such pitfalls? The commercial is not merely funny; it is bizarre. In order to (probably unsuccessfully) attempt comprehension of the message, a viewer must actively engage with the product. Presumably that hikes memorability, and it might also counteract any prior expectations of humor associated with the brand. Nowadays, it's hard to know what to expect from a Skittles commercial.
The Skittles ads come from TBWA/Chiat/Day, an agency known for its offbeat work (including the famous 1984 Apple ad and the contemporary and increasingly irritating 'Get a Mac' campaign). Seth Stevenson at Slate's Ad Report Card doesn't think highly of the Skittles ads (part of a sometimes creepy series), on the grounds that these days, "freaky-ass ads are a dime a dozen". But maybe that's because this thing works - people remember ads that just don't make sense, and they remember trying to figure out what the product has to do with the insanity.
Friday, January 2, 2009
metaphysics on board
Here is the start of an AP story:
The first paragraph (unwittingly?) takes a position on a rather contentious issue in politics, ethics, and metaphysics!
How many passengers were on the flight when it left the Netherlands? If you think that a fully-developed fetus is a person, then the answer is 125. If you think otherwise, then the answer is 124. The story appears to be taking sides.
I wonder if this occurred to the writer or editor at any point. Obviously the aim was to produce a punchy lede paragraph. But that’s not all that happened… You might say that this article was a human interest story when it took off, and a maneuver in the culture wars when it landed.
There were 124 passengers on Northwest Airlines Flight 59 when it left the Netherlands. There were 125 when it landed in Boston.
Phil Orlandella, a spokesman for Logan International Airport, says a woman went into labor and gave birth to an apparently healthy baby girl over the Atlantic Ocean on Wednesday during the eight-hour flight from Amsterdam.
The first paragraph (unwittingly?) takes a position on a rather contentious issue in politics, ethics, and metaphysics!
How many passengers were on the flight when it left the Netherlands? If you think that a fully-developed fetus is a person, then the answer is 125. If you think otherwise, then the answer is 124. The story appears to be taking sides.
I wonder if this occurred to the writer or editor at any point. Obviously the aim was to produce a punchy lede paragraph. But that’s not all that happened… You might say that this article was a human interest story when it took off, and a maneuver in the culture wars when it landed.
Monday, December 29, 2008
surprises and expectations
Here, in its entirety, is a story from Reuters:
Here’s what I want to know: was the woman surprised to see her husband in the brothel? And why doesn’t the article address that question?
Advanced primates that we may be, we’re still wired to notice the unusual or unexpected. What seems to be unusual or unexpected here (both to the man and to us) is that someone’s wife happened to be working in a brothel. It is not unusual or unexpected that someone’s husband happened to be frequenting a brothel. The man’s behavior is (relatively) normal; the woman’s is not.
Can you imagine this article having been written from the other perspective: ‘brothel employee surprised to see husband as client’? I don’t think we’ll ever see such an article. It’s too hard for us (and for the reporter, our proxy) to identify with this abnormal creature, the brothel employee who is also a wife. But we recognize familiarity in the brothel customer who is also a husband. It’s not that we’re necessarily any more similar to him. It’s just that we’re used to him. And so the story gets told from his angle.
There’s an interesting reinforcing mechanism at work here. The story treats the wife’s presence at the brothel as the surprising factor, because it is the part of the story that surprises us. And it surprises us because of articles like this.
”What are you doing here?”: man asks wife in brothel
WARSAW (Reuters) - A Polish man got the shock of his life when he visited a brothel and spotted his wife among the establishment's employees.
Polish tabloid Super Express said the woman had been making some extra money on the side while telling her husband she worked at a store in a nearby town.
"I was dumfounded. I thought I was dreaming," the husband told the newspaper on Wednesday.
The couple, married for 14 years, are now divorcing, the newspaper reported.
Here’s what I want to know: was the woman surprised to see her husband in the brothel? And why doesn’t the article address that question?
Advanced primates that we may be, we’re still wired to notice the unusual or unexpected. What seems to be unusual or unexpected here (both to the man and to us) is that someone’s wife happened to be working in a brothel. It is not unusual or unexpected that someone’s husband happened to be frequenting a brothel. The man’s behavior is (relatively) normal; the woman’s is not.
Can you imagine this article having been written from the other perspective: ‘brothel employee surprised to see husband as client’? I don’t think we’ll ever see such an article. It’s too hard for us (and for the reporter, our proxy) to identify with this abnormal creature, the brothel employee who is also a wife. But we recognize familiarity in the brothel customer who is also a husband. It’s not that we’re necessarily any more similar to him. It’s just that we’re used to him. And so the story gets told from his angle.
There’s an interesting reinforcing mechanism at work here. The story treats the wife’s presence at the brothel as the surprising factor, because it is the part of the story that surprises us. And it surprises us because of articles like this.
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